My workflow typically starts with either pencil or digital sketches, where I develop the core concept of the illustration.  From there, I transition to the appropriate finishing program based on the project’s needs. I use vector programs like Adobe Illustrator for designs that require scalability, such as logos and detailed line work. For more texture-rich or painterly illustrations, I might opt for Adobe Photoshop or Procreate. In some cases, I even blend both approaches—starting in vector and finishing the work as a raster image—depending on the final application and medium. No AI tools are used at any stage of my creative process. 

My illustrations span a wide range of styles and purposes, from playful, whimsical designs to professional, polished promotional artwork. I truly enjoy the problem-solving aspect of each project, exploring various visual approaches to bring ideas to life. Every project offers an opportunity to think creatively and strategically about how best to depict the subject matter, and it’s this exploration that fuels my passion for illustration.